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Hanson visited KEXP’s studios with Heather Lockie in tow on February 7, 2017. Wand bandmate Evan Burrows served as editor. It’s available at Drag City, Amazon, and iTunes.Īs for the video for “Garden of Delight”, it’s directed by Elise Tyler, whose other credits include the videos for Kevin Morby’s “Parade” and William Tyler’s “The Sleeping Prophet”. If you haven’t yet picked a copy, you should do so now. It also features sublime string arrangements by Heather Lockie. The record takes a pastoral path, showcasing Hanson’s incredible falsetto range and songwriting skills. The Unborn Capitalist From Limbo was released in November on Drag City. KEXP also posted an in-studio session Hanson he did earlier this year. This week he put some heft behind the latter by sharing a flowery new video for album track “Garden of Delight”. He’s alternating between tour dates with his psychedelic rock band Wand and supporting his new solo album, The Unborn Capitalist From Limbo. Nevertheless, using her skills as a teacher, violinist Heather Lockie managed to get complete silence for the pastoral fingerpicking of “ Evening Glass.” The silence remained for the finale, and those who listened were not disappointed.Cory Hanson is doing double duty these days. Cory dedicated a track to political theorist Hannah Arendt and mentioned her famous “banality of evil,” which I believe was written about people who talk loudly during acoustic sets. Throughout the show the noise coming from the crowd at the back was pretty out of hand, and the band had to ask for quiet more than once. Cory Hanson||Photography by Dylan Joyce for Discorder Magazine Then, the classical was back for the stunning “ Garden of Delight,” which was surely planted with the help of John Lennon. For “ Replica,” which featured the most prominent drums and bass, he picked up a steel string. The otherworldly aesthetic of the album was simplified in the live environment but no less powerful. Opening with his record’s ominous title track, Hanson gently plucked his classical guitar while wilting violin washed over the crowd. Taped to Cory Hanson’s guitar and encircled with a line through it was the fasces symbol - an axe and bundled sticks that symbolizes strength through unity and from which fascism derived its name. Jody Glenham & the Dreamers||Photography by Dylan Joyce for Discorder Magazine
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Also, apparently they have mood rings as merch. Highlights came from performances of “ RSVP” and “ Ill Wind” which wonderfully showcased the character and range of her voice as well as some lovely reverb and crunch on the guitar. There were political themes throughout the night - it seems people are uneasy about something or other. They played new tracks from an upcoming release including Jody’s version of a protest song.
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With a six piece band and three part harmonies, the sound was full and lush. Next, a set of lamplit soft rock from Jody Glenham & the Dreamers proved the biggest draw of the night. Still, it’s a circle of warmth surrounded by a foreboding wilderness. Malcolm’s set felt like words of wisdom shared around a campfire, albeit a virtual one: a flickering splotch of red, blue and green VHS distortion. He quipped something to a crowd member about Homer’s Illiad - maybe he has another folk epic in the works. Whether solo or with his band Dada Plan, I’ve never seen him do the same thing twice, and yet he always sounds like himself.īetween songs he consulted a book of lyrics perched atop a television / VCR combo. He’s concerned about death, he’s concerned about his friends, and the songs were full of insightful reflections. Straying from traditional song structure, the songs were propelled by rhythmic strumming and riffs in open tuning. The night began with Malcolm Jack performing an all new solo acoustic set. Malcolm Jack||Photography by Dylan Joyce for Discorder Magazine He was joined by two locals, psych-folk disciple Malcolm Jack, and the dreamy Jody Glenham & the Dreamers. Thursday night at the Cobalt featured Los Angeles headliner Cory Hanson touring his new album The Unborn Capitalist from Limbo, where he trades in the heady psych rock of his band Wand for autumnal folk lamentations.